“Bittersweet Shields”, 2020. Site specific installation at the Schuylkill Center for Environmental Education. Handmade paper of abaca, oriental bittersweet, and pigmented linen over mulberry branches and oriental bittersweet vines.
from “Deconstructing Patterns” series, 2019, at the Philadelphia Museum of Art Linen pulp paintings on high shrinkage abaca paper. Oriental bittersweet vines in sculptures.
“Barn for Jenn”, 2017
“Barn for Jill”, 2017
“Barn for Megan”, 2017
“Barn for Nicole”, 2017
“Processes of Loss, I”, 2017
“Processes of Loss, III”, 2017
“Processes of Loss, IV”, 2017
“Shield”, 2015-2017
“Organic Taxonomy”, 2017
“Elementals I”, 2017
“Elementals II”, 2017
“Elementals III”, 2017
“Elementals IV”, 2017
“Elementals V”, 2017
“Elementals VI”, 2017
“Elementals VII”, 2017
“Desert Trumpet”, 2017
Paper Abstractions V
Paper Abstractions IV
Paper Abstractions III
Paper Abstractions II
Paper Abstractions I
“Our Deep Nationalism” 2011.
“No thing now,” 2011.
“It was just an idea” 2012.
“Abjector” 2012.
“Drawing for Genevieve” 2011.
“If the mast goes up in flames” 2011.
“Burlington” 2011.
why we cannot fly, mechanically speaking
in celebration
overwhelming moments
I claim this, Here
fly : quill :: write : pierce
fallen archer
struck and striking
another lean-to
Untitled Fossil Record, 2010
Untitled Fossil Record, 2010
Wonder Full, 2009
Shadow Partner, 2009
Reflected Image, 2009
Safe Harbor, 2009
Handmade flax paper and fossils, dimensions variable
Watercolor and ink on handmade abaca paper, 7″ x 10″ each
Charcoal transfer on stretched handmade flax paper, 12″ x 12″
